“Young skaters need community and a place to gather,” says Hawk, who has used his powerful platform to advocate for wide-ranging change within skate culture.
© Joe Gall/Camera Jesus
Skateboarding

The Groundbreaker: Tony Hawk

Catching up with Tony Hawk.
By Peter Flax
5 min readPublished on

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There is simply no greater legend in modern skateboarding history than Tony Hawk. Recently the 56-year-old icon and his Birdhouse team participated in Red Bull No Rewind, a nostalgic project in which four elite teams skate and film using vintage Sony VX1000 cameras, modified so they can record but not rewind for on-the-fly viewing or editing. Choice footage from their sessions and selections from three other teams will be released early in 2025. Here, Hawk shares his views on skate nostalgia, the value of skateparks and Olympic inclusion, and the “state of denial” he was in about his age and invulnerability to injury.

THE RED BULLETIN—Can you talk about what it was like to skate and film for No Rewind?

Tony Hawk: For me the best part was just the opportunity to get the whole team together in one place. It’s actually rare that we’re all together for a project like that.

Why was the VX1000 such an iconic camera in skate history?

It was the first camera that had a design that was conducive to filming skating. The handle revolutionized the way we could shoot follow-cam footage. And then there was the fish- eye lens we called the DeathLens. Together, the DeathLens and the handle was this perfect merging of technology.

I really only have nostalgia when it comes to maneuvers. I love old tricks and old techniques. I love to reexamine moves from the past.
Tony Hawk

What has been gained and lost with the progression of filming technology since then?

Honestly, I’m a big proponent of technological progress, so I’d say everything is better now. My phone is my follow cam now. I mean, if you were to airdrop something to my iPhone you’d see it’s called Tony’s DeathLens.

Do you still relate to the thirst for nostalgia in skating?

For me, I only have nostalgia when it comes to maneuvers. I love old tricks and old techniques. I love to reexamine moves from the past.

Hawk, shown here with teammate Reese Nelson, skated and filmed a part with his Birdhouse crew for Red Bull No Rewind, which will be out early in 2025.

Hawk filmed a part with his Birdhouse crew for Red Bull No Rewind.

© Tim Aguilar

With your Birdhouse team, can you tell me what sort of skaters you’re looking for?

In general, I’ve always had an appreciation of skaters who are well rounded. But now I’m putting more weight on bringing on talented transition skaters.

Did you wish your son Riley was still on your team or do you like the idea of him finding success on his own?

Yeah, he was on the team for a long time, but I thought it was cool he got asked to join the Baker team. He has free will—he can do what he wants. My biggest reaction was just thinking it was so cool that [team founder] Andrew Reynolds wanted him on his team based on his merits.

What are the ripple effects of the sport’s inclusion in the Olympics on the progression of skating?

Two things come to mind. The first is that there’s a much stronger international presence. I’m thinking of places like Africa and parts of Asia, where I didn’t imagine skate culture could exist, where suddenly there are programs and really good skaters. And beyond that, now there’s a deeper appreciation in the public for the talent. Not that long ago, many people thought skating was just a novelty, while now, thanks to the Olympics, people have a clearer perception of how athletic it can be.

Are you still advocating for vert skating to be added to the Olympic program?

I keep pushing as hard as possible. It’s not like I’m on some committee with the Games. I’m just advocating as best as I can. I think the most powerful thing I can do is keep putting on vert events. I’m trying to make vert skating hard to ignore.

It’s the 25th anniversary of Tony Hawk’s Pro Skater. Have you ever thought about how that game has impacted the progression of the sport?

There is a generation of skaters who grew up playing the game. A lot of them played Pro Skater and thought that some of the combos that were in the game, which we put in there as a sort of fantasy, were possible. I’ve met a lot of skaters who say the game helped get them interested to try the real thing.

Can you talk about your non- profit, The Skatepark Project, and why you think it’s important to build skateparks in underserved communities?

It all started from me being able to have a place to skate in my formative years. Back then I didn’t realize how lucky I was. Young skaters need community and a place to gather. So when I realized I had the power to effect change, that was a priority—to give more people a place to skate. It has taken work. For a long time, cities needed to be convinced that a skatepark would be a positive contribution to their community and not a scary place where undesirable people would hang out. I go to skateparks all over the world and what I see are people of all ages, sexes, races and skill levels hanging out—and everyone there is being supportive of everyone else. There’s no other sport that’s like that. Now any city that doesn’t have a skatepark is open to it.

You broke your femur two and a half years ago and called it the most traumatic injury of your career? How is your recovery going?

I’m as recovered as I expect to be. It’s made me appreciate the joys of skating in a new way and also to not keep chasing high- impact moves like I did for decades. I was living in denial that I could keep skating like that, and that idea came crashing down quite literally. I have a deeper appreciation of being able to do basic tricks now.

Do you think you’re going to keep skating until you’re a very old man?

I don’t know. I mean, if I can stand on two feet then I can ride on a skateboard. But if I feel like my skills are really fading, I’m sure I won’t share it on social.

Keep up with Tony

Instagram @tonyhawk
TikTok @tonyhawk
YouTube @tonyhawk